28 Years Later: The Bone Temple Brings Fresh Terror to Iconic Zombie Franchise

2 January 2026 Film & Cinema

A New Chapter in Post-Apocalyptic Horror

28 Years Later: The Bone Temple is an upcoming post-apocalyptic horror film directed by Nia DaCosta and written by Alex Garland. It was shot back-to-back with its predecessor 28 Years Later (2025), and will serve as the fourth installment overall in the 28 Days Later film series. The film represents a significant continuation of the beloved zombie franchise that began with Danny Boyle’s groundbreaking 28 Days Later in 2002.

What to Expect from The Bone Temple

As Spike is inducted into Jimmy Crystal’s gang on the mainland, Dr. Kelson makes a discovery that could alter the world. Ralph Fiennes, Jack O’Connell, and Alfie Williams return from 28 Years Later. The initial reactions on social media to 28 Years Later: The Bone Temple suggest the film is a worthy (and weirder) follow-up. Early viewers have praised the film’s bold approach, with some noting it explores themes of cultism and trauma whilst maintaining intense suspense throughout.

Box Office Expectations and Release Date

The Bone Temple is tracking for a $20+ four-day weekend gross, which is below the $30 million debut of 28 Years Later in June this year. 28 Years Later: The Bone Temple is scheduled to be released in the United States by Sony Pictures Releasing on 16 January 2026. Despite projections showing a slightly lower opening than its predecessor, industry analysts remain optimistic about the film’s performance during the Martin Luther King Jr. holiday weekend.

Significance for Horror Cinema

The Bone Temple marks an important moment for the horror genre, bringing fresh directorial vision to an established franchise. Nia DaCosta’s pitch for the film was to avoid copying Danny Boyle’s directorial style to instead create a personal and idiosyncratic work. The film was announced as part of a planned trilogy, with Garland serving as screenwriter for all three. In January 2025, Boyle confirmed that he would direct the final film in the trilogy. This innovative approach to franchise filmmaking demonstrates how established properties can evolve whilst maintaining their core identity, offering audiences both familiarity and fresh perspective in equal measure.